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Between the Lines
Dan, Mary, Leo, and the Code We Can't Quit Cracking
By Lee Ann Alexander
January 17, 2005

To: Books@ninetyandnine.com

Subject: The Da Vinci Code

I found[The Da Vinci Code] very well written.  I'm a 21 year-old Apostolic college student.  I'm a philosophy major so the controversies surrounding the book were minor to me compared to what I face every day.  Do you suggest this book is for the strong in faith only, for no one, or for everyone?  I think your opinion on this would be greatly appreciated on 90&9 since many people have read or intend to read this well-written novel.

In response to this reader’s request and in light of the novel’s continued reign in the book world, I devote this column to an exploration of Dan Brown’s notorious The Da  Vinci Code. Though released 21 months ago, it still soundly dominates bestseller lists with over 17 million copies in print. It has inspired countless other books, radio commentaries, and television broadcasts, and it has fueled discussion in reading circles around the world. Given its wide-reaching effects, what better way to start off the New Year than to analyze what could be the most popular novel of its kind, and to try to understand what that says about the place of Christianity and fiction.

I’ve just finished reading the novel, an entertaining murder mystery with a religious context or religious novel with a murder mystery as its context? And so we begin our investigation. Was Brown’s motive to create a great novel or make a religious statement or both?

Murder Mystery or Religious Mystery?
On one level, The Da Vinci Code is very much just another murder mystery novel—not earth shattering in its plot twists or spine-tingling in its suspenseful moments. What has captured attention and maybe overshadowed the fact that it’s merely a novel are the religious propositions Brown asserts. He throws out some rather controversial religious philosophies (like the supposed union and offspring of Mary Magdalene and Jesus) that take issue with the Bible and also attack the Catholic faith.

Long have historians been engrossed with the Roman Catholic Church’s bloody and infamous past. Yet it is the way Brown weaves in mysticism and folklore legends to suggest thousands of years of conspiracy over central tenets of Christianity that have rattled the cages of academics, theologians, and Christians everywhere. Dozens of books have been released in response, ranging from catalogs of the gross factual inaccuracies of the novel to impassioned theoretical explorations into further speculated areas of church history, inspired by Brown’s conjectures. To generalize the specifics, one fundamental question emerges from the novel:  is a multi-century-old religion capable of ignoring, hiding, or—worse—misconstruing historical fact and record to serve its own political objectives, thereby deceiving the masses and propagating adulterated church doctrines?

The aforementioned books in response to the novel can make their own arguments, but the obvious truth is: yes. History bears record of so many instances where religious leaders changed biblical mandates for political gain that it should come as no surprise to anyone that this possibility exists.

The book should then prompt us to look at whether our beliefs and convictions are products of an organization or leader’s mandates or truths learned from divine revelation. Never should Christians be more urgently reminded of the necessity of the Bible as the indisputable basis of our faith. Unfortunately in this novel, Brown drags up dubious pieces of information and sketchy cases to suggest historical inaccuracies, alterations, and omissions of the Bible. Typical of years of attack by academia in an attempt to dispel what cannot be completely fathomed by the human mind, the novel subtly strikes at Christian cornerstones and tries to cast a shadow of doubt on the authenticity of Christian teachings.

The Source of All Truth?
The important message that should be learned here is that religious faith should come from something higher and more definite than man. For those Christians fully versed in Church history and the facts surrounding the Bible’s translation, the only thing this novel’s attack serves to do is remind us of the disturbing history of those denominations that have altered biblical doctrine at the hands of men.

The Catholic Church doesn’t come off well here. And as much as Brown throws around a blanket term of “Christian,” his examples of wrongdoing tied to church leaders all point at the Vatican. One has to wonder why Brown would take such an obvious stab at the Catholic church, openly claiming that the church hid documents and re-wrote history according to its own political motives. While he may be right, what is his motive? Catholics have made scholarly refutes, but in the face of recent scandals, some see Brown taking advantage of anti-Catholic sentiment and fueling further repulsion toward the Catholic faith. With such mounting revolt against one of the oldest denominations in Christendom, it seems we’ve reached a place in society where people have no trust in organized religion.

On a literary basis, it’s just another novel. But as Christians, we should definitely take note when this much controversy is stirred up by a basic murder mystery. In my attempt to read between the lines, I can’t help but hear a resounding cry from churchgoers all over the world that they are exhausted with handed-down fables and ritualistic traditions not based on the Holy Bible, but men’s whims. Despite humanists’ best efforts to convince us that there are no absolute truths and that all religions are equally imaginary, this book’s controversy seems to show that Christians do know there is something real out there and are desperate for a return to irrefutable truths based on divine doctrine. Welcome the evangelicals and their absolute, non-negotiable adherence to the 1611 version of the Bible. If ever there was a time for evangelicals to advance, our culture all around confirms the need and sounds the clarion call.  I just find it especially exciting as a literature enthusiast to see that confirmation arrive in the form of written fiction—a murder mystery novel, no less.

Positive Things about The Da Vinci Code
The novel involves something of a tribute to fine art of the Renaissance. It is very exciting to march with the main character through wings of the Louvre and cathedrals across Europe. The examination of art is heavily entwined with the plot and is likely to send you digging for that old art textbook from college. Try the illustrated edition to really get the most of this pleasant journey through Renaissance fine art.

Also quite interesting is the wealth of information on symbols in this book. If you’ve studied much linguistics, you probably remember how intriguing signs and symbols can be. Brown has found a contemporary method of tying that into popular fiction through cryptography and bringing it to the masses.

Criticisms of The Da Vinci Code
Even though I keep stressing that this is on the most basic level just a novel, Brown does incorporate footnotes and tries to promote speculation as fact. This fragile attempt to bridge fact with fiction is an example of weak scholarship. Historians have largely agreed that his evidence is flimsy, and theologians have discredited much of his assertions and their sources.

As a Christian, it can be offensive to see basic truths about Jesus reinterpreted. Beyond just faulty scholarship, Brown toys with a very dangerous position in his recasting of Mary Magdalene’s relationship with Jesus and his suggestions that the Bible was compiled in such a way as to hide certain facts. Christians reading this novel may feel their blood pressure rise as they struggle through these claims on their way to what should really be just an entertaining read.

Final Thoughts on The Da Vinci Code
So my response to our reader’s question is that I think anyone who wants to read an entertaining mystery novel would be welcome to read The Da Vinci Code. Anyone whose faith is shaken by its poorly supported claims has larger issues. When it all boils down to it—this is just a novel and should never be taken beyond that to affect religious doctrine.

What really strikes me about The Da Vinci Code is not so much the unusual propositions and controversial claims. As our reader initially points out, if you delve into much theology or religious studies at a typical university, these concepts are simple in comparison. What does fascinate me here is the fact that a novel—an unassuming work of fiction—can create such far-reaching waves. Maybe that’s a good thing? It is sometimes said that those things which do not change our faith at least challenge us enough to better understand and solidify it. Perhaps what Christians needed was a good jolt to re-investigate who Jesus Christ was and is and if we really believe the Bible to be infallible.

While most scholars have discredited Dan Brown’s propositions on the basis of his flimsy evidence, I think it says a lot about the power of the written word when a text can stir so many people to thought and reflection. Despite my disagreements with the concepts in the novel as a Christian, as a literary enthusiast it excites me to see the power of the book so grandly at work today.

Classics Remembered
While racing through The Da Vinci Code, my mind kept returning to Arthur Miller’s 1953 classic play, The Crucible. Though truly an attempt by Miller to make a political protest of McCarthy’s hunt for Communists, the play is also a remarkable comment on the dark possibilities when men capitalize on fear and speculation to lead movements—religious in nature in this case.

For Fun
Collection of Lewis Carroll poetry

Lagniappe
Recently I ran across allconsuming.net, a metasearch engine of book weblogs. It’s more of a research tool than a single site to browse. But if you’re a fan of a particular book or author, you’ve got to search for it here. It’ll bring up everything that’s being said about it in cyberspace. Who knows whether or not there may be a blog dedicated to your favorite little off-the-wall novel somewhere?

 

ninetyandnine.com

© 2005 Lee Ann Alexander

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Lee Ann Alexander is ninetyandnine.com’s book columnist. If you have suggestions on topics to explore, email her at Books@ninetyandnine.com.


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