Wednesday, October 31, 2007 

Josh Groban Christmas Project

Posted by: David Bunch


Josh Groban's much anticipated Christmas CD, Noel, sounds like, well Josh Groban singing Christmas songs. That is to say if you like Groban and you like Christmas songs, you'll love the record.

But that's making it too simple. The unsung (and maybe not so unsung for all I know) hero of this record is Groban's producer, David Foster. I thought that pretty much everything that could be done with Christmas music had been done. Foster proves otherwise.

It is the music of this record, more than the vocals, that will keep you coming back for more. For example, I have long loathed the song "Little Drummer Boy". I never got the point and it seemed to always drag on endlessly. In the Groban/Foster version, I was in tears by the time the song hit its crescendo (which rocks another long held belief of mine-that words are superior to music. This song proves me wrong).

All of the usual Christmas songs are here with one original and a rarity or two, and Brian McKnight, Faith Hill, and the Mormon Tabernacle Choir show up as well.

This is a record you'll want to add to your collection as a way of reminding yourself that it is the lyrics and the music of Christmas time that are timeless treasures.

 

Jars of Clay Christmas Project

Posted by: David Bunch


I nabbed the new Jars of Clay Christmas CD, titled Christmas Songs, and wanted to give you a mini review of the project.

Jars of Clay are known for their artistic and innovative music, and they manage to bring that game to their Christmas offering. Most of the songs are either originals or re dos of fairly obscure songs, which is kind of neat (i.e. not the same 10 Christmas songs that everyone else does). I was pleasantly surprised to hear Jars' version of "I Heard the Bells on Christmas Day" and "Wonderful Christmastime".

Stylistically, the record has a nuevo 80s feel with heavy drum loops and synthesized sounds. Pair that with the drawing of the two small children under the Christmas tree on the front cover and you get a feeling that Jars of Clay are taking us back to their childhood Christmases of the 1980s.

The result is music that is likable for Christmas present and Christmas future.

 

The Golden Compass

Posted by: David Bunch



The Golden Compass, a movie from New Line Cinema, is causing quite a stir from both Christians and non Christians alike (and it is not even out yet).


The movie releases this December and is based "on the first novel in a trilogy called “His Dark Materials” by English author Philip Pullman". Pullman is an avowed atheist.


Consider these points.

"These books denigrate Christianity, thrash the Catholic Church and sell the virtues of atheism," said Bill Donohue, president and CEO of the Catholic League. The film itself is unlikely to offend — because New Line Cinema has tried to keep religion out of it, focusing on the story of a little girl named Lyra and her journey to a strange, parallel universe. "

Which is another reason Christian groups are upset. The fear is that the film will seem harmless enough so parents will flock to buy the books for their kids, and in the process feed them atheist drivel.


"They’re intentionally watering down the most offensive element,” Donohue said. “I'm not really concerned about the movie, [which] looks fairly innocuous. The movie is made for the books. ... It's a deceitful, stealth campaign. Pullman is hoping his books will fly off the shelves at Christmastime."


But then atheist groups are upset because the anti God fare has been left out of the movie.

Says Pullman:


"This must be the only film attacked in the same week for being too religious and for being anti-religious — and by people who haven’t seen it," he said. "I have very friendly and happy relations with the filmmakers, and I'm very happy with what they are doing. "

Friday, October 26, 2007 

Bill Watterson - A Rare Look

Posted by: Denelle

If you've spent much time at all around Collideoscope you know that I am a HUGE Calvin and Hobbes fan. Something about the mischievous six year old and his insightful tiger just resonates very deeply with me. It's amazing how you can face the complexities of life and seeing the true nature of people through the eyes of a child; a fact that I think is often overlooked in a world that doesn't take the time to listen to or understand children.

Of course, the credit for the genius that is Calvin and Hobbes goes solely to its creator Bill Watterson. Watterson--always a recluse--has virtually disappeared since the last strip ran in 1999. Many see Watterson's withdrawl from the comic world as further condemnation of an industry of which he was openly critical; specifically of its obsession to make the almighty dollar by mass production of strips (hiring artists to copy the strip's style and having the artist sign as if they had done the drawing) and mass marketing/licensing which put famous comic characters on everything imaginable (it is interesting to note that Watterson has never licensed Calvin or Hobbes to anyone and that any reproduction of the images on lunchboxes, ties, car stickers, are all illegal reproductions).

So imagine the surprise of readers (who managed to pay attention) when they opened the Wall Street Journal on October 12 and read a book review written by THE Bill Watterson. The review, aptly enough, was for Schultz and Peanuts: A Biography. An intimate look at the life of Charles Schultz, who for fifty years drew the famed Peanuts comic strip.

New York magazine, shocked that the Journal had managed to find Watterson let alone convince him to do the review set out to solve the mystery.

How the h*** did the Journal get him to write a book review? Did they send one of their Pulitzer-winning investigative reporters to Ohio to ferret him out?

Nothing so interesting as that, says Mark Lasswell, deputy books editor for the Journal. "He didn't leave much of a paper trail," he says, so the editors went through Watterson's old comic syndicate. "They said, 'Well, we'll send your request along, but we don't want to encourage you."

Much to the Journal's surprise, though, Watterson said yes. "The next surprise when it came through was what a wonderful piece of writing it was," Lasswell says. Watterson points out in the lede of his review how much of an impact Schulz's work had on his own, which is why, Lasswell assumes, he said yes to this request when he's said no to so many others.

How much contact did the Journal's staff have with Watterson? Did edits go through the syndicate, or did someone get to talk to him on the phone? Lasswell demurs from going into too much detail but does allow, "It was not something that required a lot of editing. Let's leave it at that."


And really, The Grief that Made 'Peanuts' Good, is an excellent review. And it also offers additional insight into Watterson himself. For example, Watterson writes,

The overwhelming commercial success of the strip often overshadows its artistic triumph, but throughout its 50-year run, Charles Schulz wrote and drew every panel himself, making his comic strip an extremely personal record of his thoughts.


Much as Watterson did with C&H for so many years. And,

The wonder of "Peanuts" is that it worked on so many levels simultaneously. Children could enjoy the silly drawings and the delightful fantasy of Snoopy, while adults could see the bleak undercurrent of cruelty, loneliness and failure, or the perpetual theme of unrequited love, or the strip's stark visual beauty. If anything, I wish Mr. Michaelis's biography had devoted more space to analyzing the strip on its own terms as an art.


Watterson's reoccurring theme that comics are indeed their own form of art and not just senseless drawing.

I would love to see more of Watterson's talent whether it be through my favorite comic strip or in literary terms. However, for now I guess I'll have to be content with the rare glimpses we get of Watterson in unexpected places.

Check out this collection of Rare Bill Watterson Art.

Thursday, October 25, 2007 

The Forum Pictures

Posted by: kdc





















There will be a news update in Monday's issue of 90&9, but...

For Chantel's Top 10 List go here.

For Chantel's pictures on "Where You Can Find Me" go here and here.

For Ben's pictures, go here.

Stephanie gets artistic at "Life Through a Lens" here.

Labels: ,

Tuesday, October 23, 2007 

A New Generation - A Life Odyssey

Posted by: Denelle

There was a fascinating article earlier this month in the New York Times discussing the stages of life and how they've changed/expanded over the past fifty years or so. Now instead of the four traditional stages of childhood, adolescence, adulthood and old age, we have childhood, adolescence, odyssey, adulthood, active retirement and old age. While most of these are self explanatory, what exactly is odyssey?

Odyssey, the decade of wandering that frequently occurs between adolescence and adulthood.


Ahh, this is all suddenly starting to make sense.

During this decade, 20-somethings go to school and take breaks from school. They live with friends and they live at home. They fall in and out of love. They try one career and then try another.

Their parents grow increasingly anxious. These parents understand that there’s bound to be a transition phase between student life and adult life. But when they look at their own grown children, they see the transition stretching five years, seven and beyond. The parents don’t even detect a clear sense of direction in their children’s lives.


Sounds like he's been talking to my mother.

They see that people in this age bracket are delaying marriage. They’re delaying having children. They’re delaying permanent employment.


Check, check and check.

Let's face it. Life just isn't the same as it was even twenty years ago. While education is becoming broader jobs are becoming more specific so that you need more education. Most employers aren't hiring you with the intention of keeping you for 30 years and then giving you a gold watch and a pension fund as you retire. And most of us won't live our lives in the same communities where we grew up, went to school, or where our families live. Nothing seems to last forever.

Dating gives way to Facebook and hooking up. Marriage gives way to cohabitation. Church attendance gives way to spiritual longing. Newspaper reading gives way to blogging.

Social life is fluid. There’s been a shift in the balance of power between the genders. Thirty-six percent of female workers in their 20s now have a college degree, compared with 23 percent of male workers. Male wages have stagnated over the past decades, while female wages have risen.

This has fundamentally scrambled the courtship rituals and decreased the pressure to get married. Educated women can get many of the things they want (income, status, identity) without marriage, while they find it harder (or, if they’re working-class, next to impossible) to find a suitably accomplished mate.


AMEN!

The odyssey years are not about slacking off. There are intense competitive pressures as a result of the vast numbers of people chasing relatively few opportunities. Moreover, surveys show that people living through these years have highly traditional aspirations (they rate parenthood more highly than their own parents did) even as they lead improvising lives.


Some of us have starting calling this phase of life the twenty-something crisis (instead of having a mid-life crisis). When you wake up one morning at 27 (or 26, or 28) and suddenly think "what am I doing with my life." Then you look around at the friends/family who do have the spouse/kids/home and suddenly feel like a failure despite your multiple degrees and well paying job. And instead of staring down thirty being settled and content you find yourself trying to figure out what the next step is-gradschool, move to a new city, join the peace corps-so that maybe by 40 you'll be able to have the things you want most in life.

And what would really help are support groups, specifically religious groups, that offer a sense of stability for the Odyssey generation. But as the author of the article points out "It’s a phase in which some social institutions flourish — knitting circles, Teach for America — while others — churches, political parties — have trouble establishing ties."

We have children's church, pre-teen/jr. high groups, youth groups, young married groups, and senior groups. Some churches have "singles" groups but too often they are comprised of those in their late teens looking for love or those in their forties and up who are often divorces, have kids, widowed, etc. and thereby have a whole separate set of needs.

Instead, the Odyssey generation is left to fend for themselves and to continue desperately searching for a place to belong. Is it any wonder that so many find that connection in book clubs, volunteer work, and other secular groups? Why is it that religious groups can't find a place for single twenty and thirty somethings? Are we so stuck in the mindset that says "you go to school, you get married, you have kids" that we can't tell that the world has changed (if you need further proof, I challenge you to stroll through the Word Aflame Bookstore booth at the next general conference and see exactly what/how much material you can find for this group - trust me, it's an exercise in futility)?

And as the new generational structure solidifies, social and economic entrepreneurs will create new rites and institutions.


One can only hope that the religious community will wake-up and be at the forefront of the development process.

Wednesday, October 17, 2007 

"My Sweet Lord"

Posted by: Denelle

Starting on November 1, you will be able to see a life size sculpture of Jesus here in a New York art gallery. But this Jesus is sculpted from marble or wood or even made in bronze. This Jesus sculpture is made entirely of chocolate.

The sculpture is part of an exhibition that will show case Jesus and seven Catholic saints made entirely of chocolate. Originally the pieces were to go on display this past spring; on the Monday after Palm Sunday to be exact. However, outrage from religious groups and leaders forced the exhibit into storage.

"The timing was appalling," said Kiera McCaffrey, a spokesperson for the Catholic League. "That was an upfront assault on Christian sensibilities during Holy Week."

Cosimo Cavallaro, the Canadian-born artist, did not want to reveal where the sculpture has been stored because of threats, said it had to be repaired after mice gnawed at its fingers, toes, and nose.


So why all the fuss over a chocolate Jesus?

In addition to being fashioned from a confection, it is "anatomically correct" and lacks the loin cloth that traditional depictions of Christ have.

Ahhh, suddenly it all makes more sense.

[The artist] also hopes that portraying an anatomically-correct, chocolate Jesus calls people's attention to the fragility of life and the lived experience of Christ.

"Depictions of Jesus in plastic or wood are what I find offensive," he said. "With my work, you don't want it to melt, so you have to be more aware of the time you have with it. It's more alive."


"The David" is anatomically correct and people wait hours in line to see that sculpture. Is it the choloclate that is offensive? What do you think? Eccentric? Sacrilegious? Simply amusing/bizarre?

Friday, October 12, 2007 

One More on Caedmon's And I'll Quit Bothering You About It

Posted by: David Bunch



I don't mean to keep bringing up the subject of Caedmon's Call, but I ran across this great interview with band members Cliff Young and Andrew Osenga. The point in bringing it up again is that they touch on something that I brought out in my record review.

Osenga: Caedmon's was always about being single and being in college. But then people got married, got real jobs, got kids, and all of a sudden the perspective changed.

Young: There are people who have told us, "I haven't heard you guys in five years and this new record has hit me right where I am." One of my favorite negative things people say is, "This is not same old Caedmon's. Whatever happened to staying up until three in the morning and talking about being single?" And I'm like, "We're all married!"

Osenga: Thank goodness we don't talk about the same things

And, just to make me feel oh so proud of this rag tag band of bohemian artists (okay, my brother accuses them of being tree huggers), they had the following to say about the cheese of mainstream Christian radio.

Young: The previous label definitely tried to make us that. Just because someone can put a sermon to music, does that make them a songwriter? Does it make them an artist? Andy is a songwriter—he's one of the best at it. He sees things from a different perspective. He looks at things differently. He questions things. That's kind of the way art is. I think the positive-hits-for-soccer-moms crowd, lyrically, aren't really artists. They're buying songs from people who are just finding another way of writing "Jesus rules" and "God is good" on paper.

Osenga: We don't really listen to Christian radio. We're all believers, but I don't know whether it's the things we've seen or the songs we've heard, but we don't want to do this band if it's just going to be like any other band. We're going to do this band because we love each other and we believe in what this band can say. We're really thrilled to have a chance to do this.

Doesn't it make you happy to have a breath of fresh air?

 

Obama Talks About Relgion

Posted by: David Bunch

A more religious, God friendly Democratic party? Barak Obama hopes so.

The senator from Illinois delivered his campaign message to a multiracial evangelical congregation in traditionally conservative Greenville, South Carolina. "I think it's important, particularly for those of us in the Democratic Party, to not cede values and faith to any one party,"

"At least in politics, the perception was that the Democrats were fearful of talking about faith, and on the other hand you had the Republicans who had a particular brand of faith that oftentimes seemed intolerant or pushed people away."
In addition, he has launched a 40 day initiative in South Carolina to promote family values.

Obama's South Carolina campaign is in the midst of promoting Obama's values through a grass-roots effort called "40 Days of Faith and Family," which is reaching out to primary voters through gospel concerts and a series of faith forums.

Wednesday, October 10, 2007 

IQ Forum

Posted by: Denelle

Sunday, October 07, 2007 

Confession Is Good For The Soul

Posted by: Josh

I realize this post would have been better about a week ago, but here it is anyway. An exclusive pic of that Home Mission uber-nerd, Myron who generated a little bit of buzz in the General Conference blog. Now for the confession part. It was me. I know, I know it's hard to believe because most of you think of me as a very suave, debonair individual, but it's true. We'll just chalk this one up to great acting right?

Thursday, October 04, 2007 

Consumed: Chronicles of Darkness

Posted by: Denelle

It's that time of year again. Halloween is just around the corner and Apostolics are gearing up for exciting Halloween alternatives and outreach programs.

Check this one out:





Six College Students on a camping trip...


In the dark around the camp fire...


Who can tell the scariest story?


Find out what comes alive in the darkness...




Introducing a New Halloween Alternative Drama at International Pentecostal Church

CONSUMED
Chronicles of Darkness



Dates: Friday and Saturday, October 19-20
Friday, Saturday and Sunday, October 26-28
Wednesday, October 31

Times: Friday at 8:00 PM (Oct. 19 and 26)
Saturday and Sunday at 6:30 PM (Oct. 20, 27 and 28)
Wednesday at 8:00 PM (Oct. 31)

Location: International Pentecostal Church
10248 Alondra Blvd.
Bellflower, CA 90706

Information: (562) 867-7203 or (562) 712-4763


Do you have a Halloween alternative you'd like to share with us? Send an email to the mothership (or to editor@ninetyandnine.com)!

Monday, October 01, 2007 

Posted by: David Bunch



I want to take a minute and give you my take on General Conference 2007. We drove in to Tampa on Thursday afternoon and left for home on Saturday afternoon, so it was a quick trip but we still managed to soak up the overall aura of the conference.

Our assistant pastor called me on Thursday night and asked me if I was going to such and such event and if my wife was going to some other event....I laughed and told him that we didn't even know about all the events-we only knew there was a missions service at 7 on Friday night and that we needed to be there at 5 to meet with the missionaries! As AIMers preparing for the mission field, it was all about that missions service.

And what a service it was. Totally cool that they made it into a celebration of what all has been given to missions and publicly showing how our giving impacts the missionary's length of deputation, etc. I'm really glad it was a celebration service. Knowing what it is like to be called of God to go to a country and then to start trusting Him to make it all happen, I think I can kind of understand a little of what it must have felt like for these missionaries to find out that they are headed back to their field of burden sooner than they thought.

Bro Jerry Dean had a hard assignment in preaching a serious message after such a festive atmosphere, but he did a marvelous job..."The Crushing Weight of Eternity"...wow...that's one I'll never forget.

We made the Thursday evening service in which Bro Haney preached and he did a fine job. One of the highlights of that service was Tak Kwan playing the violin during the offering. It's not enough to hear him play. You have to watch him play. The emotion he puts into the instrument is moving to say the least.

Friday was the youth service and Bro Sam Emory preached about taking up the mantle. Good stuff. I also enjoyed the music and Ryan Johns did a nice, "youthy" version of the old hymn "Jesus Paid It All" but still retained the majesty of the original. It brought the house down and reminded me of the discussions about music we had here and at the notes blog over the last few months.

Other cool features this year were the shuttle service (UPCI sponsored) from area hotels to the arena and the nametags. If you were in a situation in which you remembered that face but not quite the name, the nametags were a nice bail out.


Not so good was the lack of restaurants in the area (Note to UPCI-this should be a major factor in future GC site choices). PCs love to eat almost as much as we love to go to church. I also felt misled by the media booth because it wasn't clear exactly what to purchase if one wanted the service's music vs. the message. For example, we wanted Bro Emory's message AND the youth day music so we bought each. Turns out, the youth day music was not music at all, rather it was the keynote address and the Sheaves For Christ results. The dvd with Bro Emory's message did in fact feature the songs leading up to his taking the pulpit....a little clarification would have saved me about $20. One other note-my parents paid extra for the high-resolution internet feed in order to watch the missions service. As it happened, that feed was not much better than the freebee.

Those minor peeves aside, we had a total blast at conference and I thought it was one of the best. Everything was done well and the whole conference came off as classy and well planned. It appeared to me that our organization spoke well to Tampa in word and deed. Everyone we met was nice and friendly (PC and non alike).

As I mentioned, it was all about missions for us because if everything goes as planned, we'll be in Northern Ireland this time next year – far, far away from General Conference. We really got to integrate with the missionary family and had a blast hanging out in the foreign missions booth area!

Note: Thanks to Paula Murphy (my aunt!) for the pics. In order above they are: my family enjoying the missions service, the Tremayne Simoneaux family enjoying their victory lap, confetti at missions service celebration.